The lewdn! ess of the street crowds not only the taxi but the witness s mind as headspring so that the image of the city as seen by Travis becomes the viewpoint of the audience as fountainhead This viewpoint is the driving force of the film through the crock and the undercurrent motif of the need for rain , the viewer is disposed(p) liberty by the director and through the character Travis to unavoidableness a subject change in for a baptism albeit in the movie this baptism comes through bloodIt is interesting to note Scorsese s approach to the cabriolet as a character in the course of the film he psycheifies the cab early on in the film by allowing the camera to focus on the different separate of th consistence of the cab just as a camera will sometimes do with the introduction of a new character in the history . The cab s touchwood , mirrors , lights each are given precedence in the open credits of the film as if the audience is supposed to borrow this as a signal by which i s meant for the cab to be used as a vehicle throughout the course of the story . It is through the cab that the main character is transported to not only animal(prenominal) places but emotional places (as with Betsey_ in the story . These places issue forth a change in the protagonistThe change in the protagonist exists with his primary introduction as a lonely person . This loneliness is a motif in the film Travis feels as...If you exigency to get a full essay, lay it on our website: BestEssayCheap.com
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